This started as a pencil drawing. I'm unnaturally obsessed with the ever popular mid-century mod look, and this was my first real crack at putting my spin on it. I scanned the drawing and wanted to get nice clean bold color in it. But I need to figure out how to compensate for the jagged edges inherent to a scanned pencil drawing when filling color.
That first one came from nothing more than a desire to have something colorful and graphic on the wall. If I were to try again, I wanted it to come from a place of a little more meaning and be a little more thought out. I had doubts that I'd be able to come up with a vision and execute it.
I'm pretty pleased with the results. It's not precisely what I set out to accomplish, however the final result came about very organically and satisfied my overall intent. I won't go into great detail about the inspiration, other than to point out that my vast fan base of regular readers might recognize the base image and I'll mention that I've titled it "Windy City". It's not meant to be particularly literal, but for me it all has a connection.
I'm encouraged. I may continue to delve into this format.
Pleased with the Untitled legs piece earlier, I've been considering doing a series of similar mixed-media pieces, exploring digital image manipulation combined with hand drawing. That first one started as a photo, became an abstract digital canvas, and was finished with a digitally altered scan of hand drawn sketches. Each piece had its own reason and purpose and came together to a nice whole.
The process here was entirely backwards and I think the results speak to that. This time I started with the hand drawn sketch, with which I am very pleased. I should have just left it at that, and when I get a chance I'll likely revisit it as a standalone image.
I like the digital additions in theory, but I realze now that I was too conscious of the overall end result, so rather than creating a piece of background that had its own artistic reason, I was trying to fit it into a false constraint of "a piece" and ended up with something...canned. I look at it and see graphic filters, not a complete image. Meh.
So, returning to blogging and posting this may be a mistake, setting myself up for a fall. I'd like to make myself use this blog regularly as a place to work on my process for exploring my still-novel-to-me need for creative outlet. Rather, use it to FIND a process as I currently have none. And posting what is a finished piece, and in my eyes a high watermark, certainly stands a chance of setting my own expectations too high. I can't let myself only post "good" stuff, "finished" stuff, "pointful" stuff if this is going to do anything for me.
That said, this is a project that I started many months ago and let sit unfinished with no idea what "finished" might look like for a long time. Meanwhile I've recently started working with some friends to focus on this creative urge, with the help of a sort of self-help book for artists. The book and the author are as nutty as my skeptical side imagined they might be going in, but I'm doing my best to look past the surface issues I have with the author's views on the world and the mind and trust that there is value to the exercises she lays out, relying more on sounding off the group of friends for analysis and status checks rather than what the author writes.
Making it much easier to do so is the fact that it's paid almost instant dividends. Case in point, the untitled image I've posted. A combination of photography, hand sketch, and digital manipulation, it started with a need for art on our walls. Wandering the likes of Z Gallery or Urban Outfitters, I found myself drawn to canvas prints of colorful, graphic images. In a surprising bit of inspiration, I actually felt like I could create something myself that I would dig. I did some research and found that it's pretty darn affordable to get a giclee print on canvas of anything you like. So I went for it.
I'll spare anyone reading this the details of how I made it, how it sat for months and how the finishing touches suddenly became very easy. The most interesting process note is that 8 months ago when I walked away from it, I considered it nearly done, just in need of finding the right tweaks to "really" complete it, but nothing I tried really satisfied me. When I went back to it, I went straight for a major shift, and the end result fell into place almost immediately. Both frustrating and encouraging. Frustrating to realize the inevitability of getting stuck in those "forest for the trees" situations, encouraging that the reason I could never get the small tweaks to satisfy me was because I was likely aware on some level that it wouldn't be complete without a much larger change.
The piece itself has little meaning. It's a graphic piece, done purely for my aesthetic enjoyment. I think it's going to look good on canvas on our wall. Now all I have to do is make a decision about the many giclee printing options...
